 Estampille de Barthélémy Jean Pinson Bergère d’époque XVIIIe - Louis XV - estampillée par Barthélémy Jean Pinson (maître en 1760) – en hêtre mouluré, tapissée à l’ancienne, tissus luxueux ivoire et bleu à décor de guirlande de fleurs et de rinceaux
 |  Joseph BOZE (1745 – 1826) Portrait of a child from french nobility, wearing a medallion, in a red suit, presumed to be Louis-Joseph Xavier François de France (1781-1789), first son of Marie-Antoinette and King of France Louis XVI
 |  Hergé Tintin, L'Oreille Cassée (Broken Ear), Original colours edition, Casterman, 1943 (A20)
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 Hergé Tintin, L'Oreille cassée (Broken ear), original edition in black and white, published by Casterman in 1937, A2, blue flyleaves, red canvas spine
 |  Hergé Tintin, L'Etoile mystérieuse, 1ère édition à dos bleu (1st blue spine edition), A23, Casterman 1944
 |  HERGÉ Tintin, L'Ile noire, Rare édition noir et blanc, Casterman 1942, A17 bis, Pagination de 4 à 127, 4HT couleurs, pages de garde blanches, Petite image collée, inversion des pages 118 et 119
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 Sonia DELAUNAY (1885 – 1979) Surrealist Tulips - Original gouache hand signed
 |  Léopold Survage (1879 – 1968) Village view, 1918
 |  French antique from Louis XIV epoch Elegant wooden gilt lectern featuring an eagle with spread wings, resting on a tripod, from late 17th – early 18th epoch
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 Flemish school from 17th century Portrait of a gentleman, maybe a knight from Bruges
 |  Georges Jules Victor CLAIRIN (1843 – 1919) Portrait of an aristocratic beauty, an elegant lady dressed in the oriental taste, probably a theatrical costume, in the circle of Sarah Bernhardt, Art Deco period, Belle-Ile-en-Mer Black pencil, pastel and gouache on a pink paper
 |  François Auguste BONHEUR (1824-1884) Ewe keeping an eye on the lambs
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